1.0Robert G. Pattersonhttps://robertgpatterson.comRobert Pattersonhttps://robertgpatterson.com/author/rpatters1/Yie-Eun Chun – Urban Polyphony (2013)rich600338<blockquote class="wp-embedded-content" data-secret="AIWsFVLzt6"><a href="https://robertgpatterson.com/yie-eun-chun-urban-polyphony-2013/">Yie-Eun Chun – Urban Polyphony (2013)</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://robertgpatterson.com/yie-eun-chun-urban-polyphony-2013/embed/#?secret=AIWsFVLzt6" width="600" height="338" title="“Yie-Eun Chun – Urban Polyphony (2013)” — Robert G. Patterson" data-secret="AIWsFVLzt6" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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Ensembles with a core of flute, clarinet, violin, cello, and piano surged in the twentieth century. Often called “Pierrot” ensembles, after Arnold Schoenberg's masterpiece Pierrot Lunaire for these instruments, they commonly add one or more additional instruments, especially percussion. These reviews—at least initially—focus on pieces that add horn to some or all of the core instruments of a Pierrot ensemble.